Art of Cameo |
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Throughout history fine cameos have been appreciated as miniature works of art, as well as for their intrinsic value as jewellery. Julius Caesar, Napoleon Bonaparte, Elizabeth I of England, Catherine the Great of Russia and Madame de Pompadour are but a few of the famous historical figures who were cameo connoisseurs and collectors. Cameos are an ancient jewel and their origin has been lost in history. However, it is believed that the arrival of multi-layered sardonyx from India and Arabia into Alexandria around the 2nd or 3rd century B.C. may have provided the inspiration for local craftsmen to create the first cameos. For centuries craftsmen had been engraving into (called intaglio) gemstones; sardonyx with its multicoloured layers proved to be the perfect medium for producing a new form of jewellery - a cameo in relief (Miller 2002 p.9). 19th century cameos were mainly carved from shells such as the bullmouth helmet or conch shell, or from hardstone materials such as sardonyx, onyx or agate. Occasionally you may see antique cameos fashioned from gemstones such as ruby, sapphire, amethyst or citrine. Other materials commonly used include volcanic lava, coral, tortoiseshell, ivory or jet. Imitation material such as glass has been used since the 19th century, and plastic since the 1930s. Wedgwood has also produced blue and white jasper stoneware cameos with classical designs since the 18th century (Benjamin 2003 p.80). Throughout history two main design themes have remained the same - classical mythology and portraits. We have beautiful examples of both these themes in our cameo collection. Key Cameo Reference Material
Caring for your Cameo The condition of your cameo will greatly affect its aesthetic and monetary value. We have outlined a few tips below to reduce the risk of damage such as cracking, chipping or wear to high relief areas:
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